{"id":9568,"global_id":"www.barskiljetopis.me?id=9568","global_id_lineage":["www.barskiljetopis.me?id=9568"],"author":"1","status":"publish","date":"2019-06-14 21:23:38","date_utc":"2019-06-14 21:23:38","modified":"2019-06-18 16:36:56","modified_utc":"2019-06-18 16:36:56","url":"https:\/\/www.barskiljetopis.me\/event\/kraljevsko-pozoriste-zetski-dom-na-cetinju-kapital-rezija-andras-urban\/","rest_url":"https:\/\/www.barskiljetopis.me\/wp-json\/tribe\/events\/v1\/events\/9568","title":"Kraljevsko pozori\u0161te \u201eZetski dom\u201c na Cetinju: \u201eKAPITAL\u201c, re\u017eija: Andra\u0161 Urban","description":"

\"\"<\/strong><\/p>\n

Kraljevsko pozori\u0161te \u201eZetski dom\u201c na Cetinju<\/strong><\/p>\n

Karl Marks<\/strong><\/p>\n

\u201eKAPITAL\u201c<\/strong><\/p>\n

Re\u017eija: Andra\u0161 Urban<\/strong><\/p>\n

 <\/p>\n

Dramatizacija: Vedrana Bo\u017einovi\u0107<\/strong><\/p>\n

Adaptacija i vizuelni identitet: Andra\u0161 Urban<\/strong><\/p>\n

Muzika: Irena Popovi\u0107 Dragovi\u0107<\/strong><\/p>\n

Kostimografija: Lina Lekovi\u0107\u00a0<\/strong><\/p>\n

Izrada maski: Marko Petrovi\u0107 Njego\u0161<\/strong><\/p>\n

Fotografija: Du\u0161ko Miljani\u0107<\/strong><\/p>\n

Asistenti na projektu: Jelena Odalovi\u0107 i Minja Novakovi\u0107<\/strong><\/p>\n

Organizacija: \u0110or\u0111ije Radoi\u010di\u0107<\/strong><\/p>\n

Muzi\u010dari: Milivoje Pi\u0107uri\u0107, <\/strong>klavir; Jovan Bjelica, <\/strong>gitara; Bla\u017eo Tatar<\/strong>, bubnjevi i Vedran Zekovi\u0107<\/strong>, bas gitara.<\/p>\n

 <\/p>\n

Igraju: Jelena Laban, Jelena \u0160estovi\u0107, Stevan Vukovi\u0107 i Pavle Perovi\u0107<\/strong>, studenti FDU Cetinje, iz klase profesora Branislava Mi\u0107unovi\u0107a.<\/p>\n

 <\/p>\n

Rije\u010d reditelja: <\/strong><\/p>\n

\u201eMi smo krenuli od \u201eKapitala\u201c sa izrazitim ciljem da pojasnimo odre\u0111ene termine i pojmove, da ne govorimo vi\u0161e u vazduh, ve\u0107 da nam bude jasno o \u010demu govorimo, da odredimo taj prostor, koji bi nazvali nekim na\u0161im \u017eivotom u savremenom svijetu. \u010covjek se bavi preispitivanjem, ne lokalno, ve\u0107 u vremenu u kom postojimo. Stvarnost je samo inspiracija. Smisao svake umjetnosti je da dovodimo u pitanje sebe i odre\u0111ene pojmove. Predstava govori o brutalnim stvarima. Ekonomisti ka\u017eu da kapitalizam nije dobar, ali da ne postoji bolji sistem. Mi nismo nau\u010dno dru\u0161tvo koje nalazi rje\u0161enja, ali ba\u0161 kada dovodimo u pitanje neke stavove dolazimo do istine. Ovo nije pri\u010da o Jugoslaviji. Ta pri\u010da se, kao i ona iz 1918, 1945. zavr\u0161ila u krvi. Mi to stalno imamo u istoriji. To je la\u017eni mit Balkana, bi\u0107u intiman, toga mi je dosta. Mi se ma\u017eemo tom krvlju kao da je to na\u0161 folklor. Prihvatamo demago\u0161ke neistine koje nam se plasiraju kao fundamentalnu istinu. To se \u010dini uglavnom na ra\u010dun ugro\u017eenosti.\u201c<\/p>\n

Andra\u0161 Urban<\/em><\/p>\n

Rije\u010d dramatur\u0161kinje: <\/strong><\/p>\n

\"\"\u201eTe\u0161ko je transponovati roman na scenu, a \u201eKapital\u201c, \u010dinilo mi se gotovo nemogu\u0107e, jer je to jedno zamr\u0161eno klupko raznoraznih pojmova, od ekonomske do dru\u0161tvene teorije i treba na\u0107i nit, koju \u0107e \u010dovjek povu\u0107i, ali tako da se sve razmrsi. Mnogo niti sam vukla, ali zapravo sam uvijek znala \u2013 treba krenuti od toga \u2013 \u201eA gdje je tu \u010dovjek?\u201c \u2026 Marks pi\u0161e o tome, u svakom poglavlju, bilo da pi\u0161e o radu, novcu, akumulaciji, ispod tih zamr\u0161enih redova i brojki, pita \u2013 \u201eGdje je \u010dovjek?\u201c Postavljam to pitanje od devedesetih. Pola svog \u017eivota \u017eivim u dru\u0161tvu za koje ka\u017eu da se zove tranzicija, u njoj smo zarobljeni. Gdje je \u010dovjek u Crnoj Gori? Radimo u ovoj zemlji. \u0160ta se de\u0161ava sa ovim mladim ljudima? Oni nisu \u017eivjeli u socijalizmu. Mi jesmo. Socijalizam smo sru\u0161ili nacionalizmom. Prvobitna akumulacija kapitala desila se kada smo ubijedili ljude da \u0107e im biti bolje, ako se vratimo unazad. Mi klizimo unazad. Ova predstava postavlja i pitanje \u2013 Gdje \u0107emo se zaustaviti?\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Vedrana Bo\u017einovi\u0107<\/em><\/p>\n

 <\/p>\n

O reditelju:<\/strong><\/p>\n

\"\"Andra\u0161 Urban<\/strong> je ro\u0111en 1970. u Senti. Sa sedamnaest godina, formira samostalnu pozori\u0161nu i knji\u017eevnu radionicu, u kojoj radi kao autor, reditelj i glumac. Nakon izvjesnog vremena, formira pozori\u0161nu trupu \u201eAiowa\u201c, koja je teatar tretirala kao specifi\u010dnu, ali ipak sveumjetni\u010dku ideolo\u0161ku akciju. Na novosadskoj Akademiji umjetnosti, studira filmsku i pozori\u0161nu re\u017eiju. Istovremeno je kao reditelj anga\u017eovan u suboti\u010dkom Narodnom pozori\u0161tu. Sredinom devedesetih, napu\u0161ta studije, rad u pozori\u0161tu i godinama \u017eivi povu\u010deno. Re\u017eiju diplomira 2000. godine, u klasi prof. Vlatka Gili\u0107a i Bora Dra\u0161kovi\u0107a, i nastavlja intenzivan rad u pozori\u0161tu. Uz podr\u0161ku segedinskog MASZK\u00ad-a i vlastitog ansambla stvara i \u201enezavisne\u201c pozori\u0161ne predstave. Od 2005. godine direktor je Ma\u0111arskog gradskog pozori\u0161ta \u201eDe\u017ee Kostolanji\u201c u Subotici. Osniva\u010d je internacionalnog pozori\u0161nog festivala \u201eDesir\u00e9 Central Station\u201c. Radi u Novom Sadu i Subotici, vodi umjetni\u010dke radionice u Rumuniji, odlazi na studijsko putovanje u Japan. Re\u017eirao je predstave u Ni\u0161u, Novom Sadu, Beogradu, Segedinu, Bitolju, Ljubljani, Berlinu, Klu\u017eu, Varni. Ukupno, \u010detrdesetak profesionalnih re\u017eija. Pozori\u0161te percipira kao prosvijetljeni prostor, ponekad provokativne akcije, gdje se misli, govori i organizuje specifi\u010dan vid umjetni\u010dke stvarnosti. Predstava je za njega komunikacija, i druga stvarnost, koja postoji za sebe, ali nastaje u odnosu izvo\u0111a\u010da, izvo\u0111ene stvarnosti i gledaoca. Re\u017eiju ostvaruje preko interaktivne komunikacije s glumcem. Nosilac je odlikovanja, nagrada \u201eJasai Mari\u201c (Najpresti\u017enija nagrada za pozori\u0161nu umjetnost Republike Ma\u0111arske), nagrada \u201eJoakim Vuji\u0107\u201c, \u201ePro urbe\u201c grada Subotice, \u201ePro urbe\u201c grada Senta, za Paralelnu umjetnost (Mediawave). Njegove re\u017eije i predstave su nagra\u0111ivane na festivalima: \u201eProfesionalna pozori\u0161ta Vojvodine\u201c, \u201eSterija\u201c, \u201eInfant\u201c, \u201eJoakimfest\u201c, \u201eTvr\u0111ava fest\u201c, \u201eTeatarfest\u201c, \u201eFestival alternativnih pozori\u0161ta Republike Ma\u0111arske\u201c, \u201eFestival ma\u0111arskih pozori\u0161ta\u201c, \u201eMOT\u201c.<\/p>","excerpt":"","slug":"kraljevsko-pozoriste-zetski-dom-na-cetinju-kapital-rezija-andras-urban","image":{"url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj.jpg","id":"9613","extension":"jpg","width":1024,"height":768,"sizes":{"thumbnail":{"width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-150x150.jpg"},"medium":{"width":300,"height":225,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-300x225.jpg"},"medium_large":{"width":768,"height":576,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-768x576.jpg"},"large":{"width":1024,"height":768,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-1024x768.jpg"},"bloom_image":{"width":610,"height":458,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-610x458.jpg"},"zerif-post-thumbnail":{"width":250,"height":250,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-250x250.jpg"},"zerif-post-thumbnail-large":{"width":750,"height":500,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-750x500.jpg"},"zerif-post-thumbnail-large-table":{"width":600,"height":300,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-600x300.jpg"},"zerif-post-thumbnail-large-mobile":{"width":400,"height":200,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-400x200.jpg"},"zerif_project_photo":{"width":285,"height":214,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-285x214.jpg"},"zerif_our_team_photo":{"width":174,"height":174,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/kapital-cover-doga\u0111aj-174x174.jpg"}}},"all_day":false,"start_date":"2019-07-27 21:30:00","start_date_details":{"year":"2019","month":"07","day":"27","hour":"21","minutes":"30","seconds":"00"},"end_date":"2019-07-27 21:30:00","end_date_details":{"year":"2019","month":"07","day":"27","hour":"21","minutes":"30","seconds":"00"},"utc_start_date":"2019-07-27 21:30:00","utc_start_date_details":{"year":"2019","month":"07","day":"27","hour":"21","minutes":"30","seconds":"00"},"utc_end_date":"2019-07-27 21:30:00","utc_end_date_details":{"year":"2019","month":"07","day":"27","hour":"21","minutes":"30","seconds":"00"},"timezone":"UTC+0","timezone_abbr":"UTC+0","cost":"5\u20ac","cost_details":{"currency_symbol":"\u20ac","currency_position":"suffix","values":["5"]},"website":"","show_map":false,"show_map_link":false,"hide_from_listings":false,"sticky":false,"featured":false,"categories":[{"name":"Pozori\u0161ni program","slug":"teatar","term_group":0,"term_taxonomy_id":176,"taxonomy":"tribe_events_cat","description":"","parent":0,"count":67,"filter":"raw","id":176,"urls":{"self":"https:\/\/www.barskiljetopis.me\/wp-json\/tribe\/events\/v1\/categories\/176","collection":"https:\/\/www.barskiljetopis.me\/wp-json\/tribe\/events\/v1\/categories"}}],"tags":[],"venue":{"id":4984,"author":"1","status":"publish","date":"2018-05-21 00:06:11","date_utc":"2018-05-21 00:06:11","modified":"2018-05-31 10:54:39","modified_utc":"2018-05-31 10:54:39","url":"https:\/\/www.barskiljetopis.me\/mjesto\/ljetnja-pozornica\/","venue":"Ljetnja pozornica Doma kulture","slug":"ljetnja-pozornica","json_ld":{"@type":"Place","name":"Ljetnja pozornica Doma kulture","description":"","url":false,"address":{"@type":"PostalAddress"},"telephone":"","sameAs":""},"show_map":false,"show_map_link":true,"global_id":"www.barskiljetopis.me?id=4984","global_id_lineage":["www.barskiljetopis.me?id=4984"]},"organizer":[{"id":65,"author":"1","status":"publish","date":"2017-03-08 10:09:15","date_utc":"2017-03-08 10:09:15","modified":"2018-05-29 21:58:29","modified_utc":"2018-05-29 21:58:29","url":"https:\/\/www.barskiljetopis.me\/organizator\/jp-kulturni-centar-bar\/","organizer":"JP Kulturni centar Bar","description":"

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