{"id":9563,"global_id":"www.barskiljetopis.me?id=9563","global_id_lineage":["www.barskiljetopis.me?id=9563"],"author":"1","status":"publish","date":"2019-06-14 21:26:49","date_utc":"2019-06-14 21:26:49","modified":"2019-07-06 15:52:06","modified_utc":"2019-07-06 15:52:06","url":"https:\/\/www.barskiljetopis.me\/event\/beogradsko-dramsko-pozoriste-i-beo-art-roman-o-londonu-rezija-ana-djordjevic\/","rest_url":"https:\/\/www.barskiljetopis.me\/wp-json\/tribe\/events\/v1\/events\/9563","title":"Beogradsko dramsko pozori\u0161te i \u201eBeo Art\u201c: \u201eROMAN O LONDONU\u201c, re\u017eija: Ana \u0110or\u0111evi\u0107","description":"<p><strong><img class=\"wp-image-9564 alignleft\" src=\"http:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-o-Londonu-plakat-1-819x1024.jpeg\" alt=\"\" width=\"282\" height=\"352\" srcset=\"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-o-Londonu-plakat-1-819x1024.jpeg 819w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-o-Londonu-plakat-1-240x300.jpeg 240w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-o-Londonu-plakat-1-768x960.jpeg 768w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-o-Londonu-plakat-1-610x763.jpeg 610w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-o-Londonu-plakat-1.jpeg 1080w\" sizes=\"(max-width: 282px) 100vw, 282px\" \/>Beogradsko dramsko pozori\u0161te i \u201eBeo Art\u201c<\/strong><\/p>\n<p><strong>Milo\u0161 Crnjanski<\/strong><\/p>\n<p><strong>\u201eROMAN O LONDONU\u201c<\/strong><\/p>\n<p><strong>Re\u017eija, dramatizacija i izbor muzike: Ana \u0110or\u0111evi\u0107<\/strong><\/p>\n<p><strong>\u00a0<\/strong>Scenografija:<strong> Jasmina Holbus<\/strong><\/p>\n<p>Kostimografija:<strong> Adrijana Paji\u0107<\/strong><\/p>\n<p>Scenski govor:<strong> Dijana Markovi\u0107<\/strong><\/p>\n<p>Vo\u0111a projekta:<strong> Sr\u0111an Obrenovi\u0107<\/strong><\/p>\n<p>Fotografije:<strong> Marija Ivani\u0161evi\u0107<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Igraju: Milan Mari\u0107, Milica Zari\u0107, Ljubinka Klari\u0107, Milan \u010cu\u010dilovi\u0107, Ivana Nikoli\u0107,Dragi\u0161a Milojkovi\u0107, Branko Cveji\u0107 i Aleksandar Vu\u010dkovi\u0107<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>O DJELU:<\/strong><\/p>\n<p>Zasnovan na li\u010dnom iskustvu pisca, \u201eRoman o Londonu\u201c Milo\u0161a Crnjanskog je pri\u010da o tegobnom \u017eivotu emigranata u tu\u0111ini. Prati \u017eivot dvoje izbjeglih Rusa, bra\u010dnog para, koji u Londonu u godinama poslije Drugog svjetskog rata, jedva sastavlja kraj sa krajem u nepoznatom, negostoljubivom, stranom gradu&#8230; Ima li mjesta sre\u0107i u posljeratnom svijetu u kome nema prijatelja, ve\u0107 samo poznanika i prolaznika, u kome je, \u010dak i u gomili, svako sam&#8230; Tro\u0161ni i memljivi londonski stan\u010di\u0107i i sobi\u010dci slika su puste du\u0161e emigranata, bra\u010dnih parova poput Rjepnina i Na\u0111e, u kojima u ti\u0161ini i nema\u0161tini, \u017eivotare uz bolna sje\u0107anja, osje\u0107aje nepripadanja, izgnanosti, neuklopljenosti i strepnje. Kakva je to egzistencija u kojoj vam, osim golog \u017eivota, nedostaje sve: otad\u017ebina, prijatelji, porodica, pa \u010dak i oni koji su neposredno pored vas?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>O PREDSTAVI: <\/strong><\/p>\n<p><strong>\u201e<\/strong>Iako ne mo\u017ee da se ka\u017ee da stvarala\u0161tvo M. Crnjanskog nije bilo prisutno na srpskim scenama u proteklih petnaest godina, sigurno je da, s obzirom na zna\u010daj i obim njegovog opusa, niko ne mo\u017ee da tvrdi da ga je bilo previ\u0161e, pa \u010dak ni dovoljno. Od pozori\u0161nih institucija i umetnika koji se, u estetskom pristupu, prvenstveno oslanjaju na literarna ostvarenja kao polazi\u0161nu ta\u010dku u radu na predstavama, o\u010dekuje se da svoj izbor baziraju na najvi\u0161im dometima te literature, a posebno se to odnosi na ona literarna ostvarenja koja dolaze od doma\u0107ih autora svetskog nivoa. Me\u0111u njih, bez sumnje, spada Milo\u0161 Crnjanski, za kog je Ivo Andri\u0107 izjavio da je \u201ejedini ro\u0111eni pisac me\u0111u nama\u201c.<\/p>\n<p><img class=\"wp-image-9609 alignright\" src=\"http:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/roman-o-londonu-7-v.jpg\" alt=\"\" width=\"357\" height=\"234\" srcset=\"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/roman-o-londonu-7-v.jpg 780w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/roman-o-londonu-7-v-300x196.jpg 300w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/roman-o-londonu-7-v-768x502.jpg 768w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/roman-o-londonu-7-v-610x399.jpg 610w\" sizes=\"(max-width: 357px) 100vw, 357px\" \/>Naravno, koliko je pojedino literarno delo zna\u010dajno u direktnoj je vezi sa tim koliko situaciono i tematski ima dodirnih ta\u010daka sa najva\u017enijim dru\u0161tvenim problemima.. \u201eRoman o Londonu\u201c nedvosmisleno govori o poziciji emigranta u stranoj sredini, o razlozima za emigraciju, i emotivnoj, duhovnoj i egzistencijalnoj borbi koju vodi sa sobom i sa drugima, osoba naterana na \u017eivot van svoje zemlje. Dileme i krize koje pre\u017eivljavaju mnogobrojni na\u0161i sunarodnici u emigraciji ne razlikuju se od sudbine Rjepnina i njegove supruge Na\u0111e, glavnih likova u romanu Crnjanskog. Kako je i sam Crnjanski bio emigrant, a \u201eRoman o Londonu\u201c ima delimi\u010dno autobiografski osnov, snaga i preciznost s kojim su u njemu izra\u017eena stanja su fascinantni. Te\u0161ko da postoji literarno delo koje nadahnutije govori o \u017eivotu u stranoj zemlji, o \u010de\u017enji za sopstvenom, i o\u010dajanju usled saznanja da je \u017eivot u njoj ultimativno nemogu\u0107. Kada se razmi\u0161lja o najizra\u017eenijim dru\u0161tvenim problemima koji su potresali i potresaju ovu sredinu dve decenije unazad, \u201eRoman o Londonu\u201c se name\u0107e kao jedno od onih dela koja ih defini\u0161u na mnogo razli\u010ditih na\u010dina i nivoa.<\/p>\n<p>Ideja za koju \u017eelimo da bude u osnovi svakog elementa predstave, od dramatizacije do njenog vizuelnog dela, i koja \u0107e objedinjavati sve njih, i preko njih dejstvovati na publiku je ta da, ma koliko uslovi \u017eivota bili surovi, razaraju\u0107i po golu egzistenciju i po du\u0161evno zdravlje, \u010dovek mo\u017ee i mora da zadr\u017ei dostojanstvo i pravi\u010dnost spram sveta u kome \u017eivi, i ljubav prema ljudima uop\u0161te, najdaljem koliko i najbli\u017eem. To se posebno odnosi na ljubav prema sopstvenoj zemlji, koja ne zavisi od njenog politi\u010dkog ure\u0111enja, a ne zna\u010di ni mr\u017enju prema drugim zemljama. Ostati nepokolebljivo objektivan, odmeren, protivan svakom revan\u0161izmu, mr\u017enji i nasilju, u odnosu na svoj narod, ali i druge narode, ostati nepotkupljiv i kada si gladan, ne izdaju\u0107i ni za jotu uverenja svog srca i logi\u010dnog uma, neophodno je da bi \u017eivot, koji je u svojoj pojavnosti nemilosrdno promenljiv, imao trajni, neuni\u0161tivi smisao, svoju ki\u010dmu, koja je nesalomiva.<strong>\u201c<\/strong><\/p>\n<p style=\"text-align: right;\"><em>Ana \u0110or\u0111evi\u0107, reditelj i autor dramatizacije<\/em><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>O REDITELJU: <\/strong><\/p>\n<p><strong><img class=\" wp-image-9565 alignleft\" src=\"http:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/ana-djordjevic-300x243.jpg\" alt=\"\" width=\"277\" height=\"224\" srcset=\"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/ana-djordjevic-300x243.jpg 300w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/ana-djordjevic-610x494.jpg 610w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/ana-djordjevic.jpg 675w\" sizes=\"(max-width: 277px) 100vw, 277px\" \/>Ana \u0110or\u0111evi\u0107 <\/strong>(1977) je zavr\u0161ila pozori\u0161nu i radio-re\u017eiju na Fakultetu dramskih umjetnosti u Beogradu. Re\u017eirala je predstave u Beogradu, Novom Sadu, Skoplju, Podgorici, Subotici, Somboru, Banja Luci, Kru\u0161evcu, Vranju, Ni\u0161u. Autor je ili ko-autor ve\u0107eg broja dramatizacija i autorskih tekstova koje je re\u017eirala. Dobitnik je vi\u0161e doma\u0107ih i regionalnih priznanja.<\/p>\n<p>Zna\u010dajnije re\u017eije: Ki\u0161\/Baleti\u0107\/\u0110or\u0111evi\u0107 \u201eRed vo\u017enje Andreasa Sama\u201c (JDP, 2005), \u017d. B. Molijer \u201eDon \u017duan\u201c (BITEF teatar, 2005), \u0110. Boka\u010do \u201eDekameron\u201c (Ve\u010dernja scena pozori\u0161ta \u201eBo\u0161ko Buha\u201c, 2006), L. Lazarevi\u0107 \u201e\u0160vabica\u201c (JDP, 2009), F. M. Dostojevski \u201eZapisi iz podzemlja\u201c (JDP, 2010), N. V. Gogolj \u201e\u017denidba\u201c (NP Sombor, 2010), Petar Mihajlovi\u0107 \u201eRadni\u010dka hronika\u201c (NP Republike Srpske, Banja Luka, 2010), Ana \u0110or\u0111evi\u0107 \u201e\u0110akon\u201c (SNP Novi Sad, 2013), Ana \u0110or\u0111evi\u0107 \u201e\u010cetrnaesta\u201c (NP Republike Srpske, Banja Luka, 2013), V. \u0160ekspir \u201eMnogo vike ni oko \u010dega\u201c (NP Sombor, 2015), Stojan Srdi\u0107 \u201eMoje dete\u201c (BDP, 2016), M. Krle\u017ea \u201eU agoniji\u201c (\u201eBeoArt\u201c i JDP, 2016), N. V. Gogolj \u201eMrtve du\u0161e\u201c (NP Ni\u0161, 2017), Ana \u0110or\u0111evi\u0107 \u201eAnika i njena vremena\u201c (\u201eBeoArt\u201c i SNP, 2017), Ana \u0110or\u0111evi\u0107 \u201eCrne kraljice\u201c (Drama na ma\u0111arskom jeziku, NP Subotica, 2017).<\/p>","excerpt":"","slug":"beogradsko-dramsko-pozoriste-i-beo-art-roman-o-londonu-rezija-ana-djordjevic","image":{"url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj.jpg","id":"9610","extension":"jpg","width":1024,"height":768,"sizes":{"thumbnail":{"width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-150x150.jpg"},"medium":{"width":300,"height":225,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-300x225.jpg"},"medium_large":{"width":768,"height":576,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-768x576.jpg"},"large":{"width":1024,"height":768,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-1024x768.jpg"},"bloom_image":{"width":610,"height":458,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-610x458.jpg"},"zerif-post-thumbnail":{"width":250,"height":250,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-250x250.jpg"},"zerif-post-thumbnail-large":{"width":750,"height":500,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-750x500.jpg"},"zerif-post-thumbnail-large-table":{"width":600,"height":300,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-600x300.jpg"},"zerif-post-thumbnail-large-mobile":{"width":400,"height":200,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-400x200.jpg"},"zerif_project_photo":{"width":285,"height":214,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-285x214.jpg"},"zerif_our_team_photo":{"width":174,"height":174,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2019\/06\/Roman-cover-doga\u0111aj-174x174.jpg"}}},"all_day":false,"start_date":"2019-07-23 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