{"id":5303,"global_id":"www.barskiljetopis.me?id=5303","global_id_lineage":["www.barskiljetopis.me?id=5303"],"author":"1","status":"publish","date":"2018-06-01 22:47:59","date_utc":"2018-06-01 22:47:59","modified":"2018-06-03 22:39:37","modified_utc":"2018-06-03 22:39:37","url":"https:\/\/www.barskiljetopis.me\/event\/festival-9-kralj-ibi-goran-jevtic\/","rest_url":"https:\/\/www.barskiljetopis.me\/wp-json\/tribe\/events\/v1\/events\/5303","title":"Festival 9: \u201eKralj Ibi\u201c, re\u017eija Goran Jevti\u0107","description":"<p><strong>Festival 9 Beograd<br \/>\n\u201eKRALJ IBI\u201c<\/strong><\/p>\n<p>Reditelj:\u00a0<strong>Goran Jevti\u0107\u200b<\/strong><br \/>\nKoreografija:\u00a0<strong>Sonja Vuki\u0107evi\u0107<\/strong>\u200b<br \/>\nScenografija:\u00a0<strong>Viktor Kiss\u200b<\/strong><br \/>\nKostimografija:\u00a0<strong>Tijana Pavlov\u200b<\/strong><br \/>\nMuzika:\u00a0<strong>Nemanja A\u0107imovi\u0107\u200b<\/strong><br \/>\nVideo:\u00a0<strong>Sr\u0111an \u0106e\u0161i\u0107\u200b<\/strong><br \/>\nReditelj filma:\u00a0<strong>D\u017eonatan \u200bIngli\u0161<\/strong><\/p>\n<p>Uloge:\u00a0<strong>Goran Jevti\u0107, Mirjana \u0110ur\u0111evi\u0107, Sonja Vuki\u0107evi\u0107\/Viktor Kiss, Katarina Jovanovi\u0107, Dimitrije Staji\u0107, Sava Stojanovi\u0107, Sa\u0161a Ni\u0107iforovi\u0107, Nemanja Rafailovi\u0107, Marko Milo\u0161evi\u0107.<\/strong><\/p>\n<p><strong>O predstavi<\/strong><\/p>\n<p><img class=\" wp-image-5383 alignleft\" src=\"http:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-300x200.jpg\" alt=\"\" width=\"437\" height=\"291\" srcset=\"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-300x200.jpg 300w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-768x512.jpg 768w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-610x407.jpg 610w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-750x500.jpg 750w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi.jpg 1000w\" sizes=\"(max-width: 437px) 100vw, 437px\" \/>Komad je ra\u0111en je po tekstu Alfreda \u017darija, jednog od najzanimljivijih autora s po\u010detka XX vijeka, tvorca patafizike, koji u sebi objedinjuje vodviljsko djelo sa skaradnim, razuzdanim humorom, istovremeno uspijevaju\u0107i da jednim novim humoristi\u010dkim postupkom poka\u017ee surovu stranu ljudske prirode, \u0161to je bio zna\u010dajan i prvi slu\u010daj na svjetskoj pozornici i u umjetnosti uop\u0161te. Ovo je druga\u010dija verzija predstave \u201eKralj Ibi\u201c. Razlikuje se od predstave koja je svoju premijeru imala 1964. godine, a gdje je Ibija igrao \u010duveni Zoran Radmilovi\u0107. Glumci su smje\u0161teni unutar instalacije koju \u010dine skulpture jednog od najtalentovanijih savremenih umjetnika, Viktora Kissa, a atmosferu upotpunjuju filmovi Sr\u0111ana \u0106e\u0161i\u0107a i D\u017eonatana Ingli\u0161a kao i kostimi Tijane Pavlov. Predstava je splet razli\u010ditih vidova umjetnosti i nastala je spontano kao borbeni krik, jedini na\u010din da umjetnici iska\u017eu stav u okru\u017eenju koje umjetnost tretira kao korov i poku\u0161ava da je ugu\u0161i i suzbije na sve na\u010dine. Autorski tim je pokrenuo i realizovao predstavu sa \u017eeljom da podstakne na razmi\u0161ljanje o svakodnevnici, budu\u0107nosti, ratu, gladi, nemo\u0107i, manipulaciji, otimanju, samo\u017eivosti, narodu i borbi za opstanak.<br \/>\nDanas svi \u017eive Ibija, danas je on svugdje prisutan, opasniji nego ikada. On danas ima medije, on zanemaruje kulturu, gu\u0161i umjetnost, zatire mi\u0161ljenje, on u\u0107utkuje neistomi\u0161ljenike, ne preza ni od \u010dega, on ignori\u0161e budu\u0107nost bahato sti\u010du\u0107i i otimaju\u0107i samo za sebe, on je sebi dovoljan, mi smo mu kolateralna \u0161teta, jeftina radna snaga. Zato di\u017eemo glas i umjetnost kao jedino oru\u017eje \u2013 ka\u017ee uglas autorski tim koji \u010dine\u2026<\/p>\n<p><strong>O reditelju<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img class=\"wp-image-5396 alignright\" src=\"http:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/goran-203x300.jpg\" alt=\"\" width=\"237\" height=\"351\" srcset=\"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/goran-203x300.jpg 203w, https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/goran.jpg 214w\" sizes=\"(max-width: 237px) 100vw, 237px\" \/><\/p>\n<p>Goran Jevti\u0107,\u00a0srpski pozori\u0161ni, televizijski i filmski\u00a0glumac, ro\u0111en je 1978. godine u Mladenovcu. Diplomirao je glumu na\u00a0Fakultetu dramskih umetnosti u Beogradu\u00a02001. godine. Igra u brojnim srpskim pozori\u0161tima kao \u0161to su\u00a0Jugoslovensko dramsko pozori\u0161te,\u00a0Atelje 212,\u00a0Malo pozori\u0161te \u201eDu\u0161ko Radovi\u0107\u201c\u00a0itd. Dobitnik je jedne od najpresti\u017enijih srpskih pozori\u0161nih\u00a0nagrada \u201eMilo\u0161 \u017duti\u0107\u201c\u00a0za vi\u0161e uloga u predstavi\u00a0<em>Okamenjeni princ<\/em>\u00a0koja je postavljena u koprodukciji Malog pozori\u0161ta \u201eDu\u0161ko Radovi\u0107\u201c sa danskim teatrima \u201eCorona La Blance\u201c i \u201eLampe\u201c i beogradskim\u00a0pozori\u0161tem lutaka \u201ePinokio\u201c. Ostale va\u017enije uloge uklju\u010duju:\u00a0Romeo\u00a0(\u201eRomeo i Julija\u201c, Srpsko narodno pozori\u0161te, Novi Sad), Geri (\u201eShopping and Fucking\u201c, Jugoslovensko dramsko pozori\u0161te), Andreas Sam (\u201eRed vo\u017enje Andreasa Sama\u201c, Jugoslovensko dramsko pozori\u0161te), Hitler (\u201eHitler i Hitler\u201c, Atelje 212), Doktor (\u201eFedrina ljubav\u201c, Jugoslovensko dramsko pozori\u0161te), Salvador Dali (\u201eHisterija\u201c, Jugoslovensko dramsko pozori\u0161te). Dobitnik je i\u00a0nagrade \u201eLjubinka Bobi\u0107\u201c\u00a02014. godine. Na filmu naj\u010de\u0161\u0107e sara\u0111uje sa rediteljem Sr\u0111anom Dragojevi\u0107em i veliku popularnost posti\u017ee ulogama u njegovim filmovima\u00a0\u201eMi nismo an\u0111eli 2\u201c\u00a0i\u00a0\u201eSveti Georgije ubija a\u017edahu\u201c.<\/p>","excerpt":"","slug":"festival-9-kralj-ibi-goran-jevtic","image":{"url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1.jpg","id":"5822","extension":"jpg","width":1024,"height":768,"sizes":{"thumbnail":{"width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-150x150.jpg"},"medium":{"width":300,"height":225,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-300x225.jpg"},"medium_large":{"width":768,"height":576,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-768x576.jpg"},"large":{"width":1024,"height":768,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-1024x768.jpg"},"bloom_image":{"width":610,"height":458,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-610x458.jpg"},"zerif-post-thumbnail":{"width":250,"height":250,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-250x250.jpg"},"zerif-post-thumbnail-large":{"width":750,"height":500,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-750x500.jpg"},"zerif-post-thumbnail-large-table":{"width":600,"height":300,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-600x300.jpg"},"zerif-post-thumbnail-large-mobile":{"width":400,"height":200,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-400x200.jpg"},"zerif_project_photo":{"width":285,"height":214,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-285x214.jpg"},"zerif_our_team_photo":{"width":174,"height":174,"mime-type":"image\/jpeg","url":"https:\/\/www.barskiljetopis.me\/wp-content\/uploads\/2018\/06\/ibi-1-174x174.jpg"}}},"all_day":false,"start_date":"2018-07-26 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