{"id":13698,"global_id":"www.barskiljetopis.me?id=13698","global_id_lineage":["www.barskiljetopis.me?id=13698"],"author":"1","status":"publish","date":"2023-07-03 14:25:52","date_utc":"2023-07-03 14:25:52","modified":"2023-08-01 11:32:47","modified_utc":"2023-08-01 11:32:47","url":"https:\/\/www.barskiljetopis.me\/event\/predstava-deca\/","rest_url":"https:\/\/www.barskiljetopis.me\/wp-json\/tribe\/events\/v1\/events\/13698","title":"Predstava \u201eDeca\u201c","description":"

Predstava \u201eDeca\u201c<\/strong><\/p>\n

Narodno pozori\u0161te u Beogradu<\/strong><\/p>\n

Opera u 17 pjesama na muziku Irene Popovi\u0107, po romanu Milene Markovi\u0107<\/strong><\/p>\n

Ljetnja scena Doma kulture<\/strong><\/p>\n

21.30h<\/strong><\/p>\n

$\"\"$ <\/p>\n

U predstavi igraju: Nela Mihailovi\u0107, Suzana Luki\u0107, Predrag Mileti\u0107, Vanja Mila\u010di\u0107, Pavle Jerini\u0107, Milena \u0110or\u0111evi\u0107, Bojana Stefanovi\u0107, Bojana Bambi\u0107, Dragana Varagi\u0107, Aleksandar Vu\u010dkovi\u0107, Miona Markovi\u0107, Teodora Sparavalo, Jelena Blagojevi\u0107, Vladan Matovi\u0107 i pjeva\u010di Tamara Mitrovi\u0107, Iskra Sretovi\u0107 i Marko Kosti\u0107.<\/p>\n

Kamerni orkestar nastupi\u0107e u sastavu: Nikola Dragovi\u0107, Ivan Mirkovi\u0107, Aleksandar Jovan Krsti\u0107, Vladimir Gurbaj, Luka Sparavalo, Aleksandra Kijanovi\u0107, Pavle Rako\u010devi\u0107, Aleksandar Petrovi\u0107, Vid Milo\u0161evi\u0107 i Tina Miladinovi\u0107.<\/p>\n

U predstavi u\u010destvuje i Dje\u010diji hor \u201eNade\u201c, koji vodi Biljana Simenovi\u0107.<\/p>\n

Autorski tim \u010dine i Dimitrije Kokanov (dramaturg\/ libreto), Jelena Novak (muzi\u010dki dramaturg), Igor Koruga (koreograf), Mira\u0161 Vuksanovi\u0107 (scenograf), Selena Orb (kostimograf) i Ljiljana Mrki\u0107 Popovi\u0107 (scenski govor).<\/p>\n

Rije\u010d reditelja i kompozitora:<\/strong><\/p>\n

U muzici koju sam komponovala za \u201eDecu\u201c poku\u0161ala sam da prona\u0111em boju kolektivnog glasa tj. Mileninog bi\u0107a. Kompleksnost Milenine poezije i njena slojevitost mi je dala prostor da taj kolektivni glas mo\u017ee biti i operski, i obi\u010dan, da mo\u017ee biti i djetinji i da mo\u017ee biti savr\u0161en u svojoj nesavr\u0161enoj boji. Glasovi u \u201eDeci\u201c su jedinstven spoj nespojivog i \u010dini mi se samim tim dobijamo jedan nadglas koji plovi kroz prostore i koji naprosto odbija da bude definisan i uhva\u0107en u zamku klasi\u010dne analize.<\/p>\n

Milenina djeca su slaba ljudska djeca… pokvarena, uplakana, bijesna, teturava, drhtava, skakutava, pomamljena, omamljena, potuljena i svi ho\u0107e sve… Vri\u0161tava ljudska djeca…<\/p>\n

U poziciji kada komponujemo za djecu vrlo \u010desto ulazimo u zamku prilago\u0111enja muzike i zaista mislim da je to pogre\u0161no. Kroz stihove koje sam citirala, Milena upravo pi\u0161e o tome da to dijete jesmo mi koji smo to isto dijete zaboravili, sakrili, uvili u neke la\u017ene norme i kodekse pona\u0161anja. Kada pi\u0161em tj. komponujem o njima postajem to isto skakutavo i vri\u0161tavo dijete, oslobo\u0111eno, sre\u0107no… Sam \u010din stvaranja onda postaje igra i radost bez ikakve mistifikacije i tjeskobe i samo \u017eelim da taj stvarala\u010dki vrtlog nikada ne prestane i traje stotinu hiljadu milion dana i stotinu hiljadu milion no\u0107i…<\/p>\n

Irena Popovi\u0107 Dragovi\u0107<\/p>\n

$\"\"$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/p>\n

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